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Topics: manualzilla, manuals, Old, Musical equipment, Synthesizer. Topics: manualzilla, manuals, Old, Musical equipment, Musical Instruments. Created on. Select the brands you are interested in learning more about. We've selected a few already to get you started. Already Registered? Sign in. Thank you for purchasing your Akai Professional product.
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Operation Instructions Manual. AHC Service Information. Operating Insructions. Specification Sheet. Analog Custom shop. Analog Custom Shop Analog Delay. Analog Custom Shop Blues Overdrive. Analog Custom Shop Drive3 Distortion.
Deep Impact SB1. Drive3 Overdrive. E1 Headrush. Reference Manual. G-Drive D2G. Shred-O-Matic D1. VariWah W1. EWI Solo. Product Specifications.
Owner's Manual. Operation Manual. Page Rear Panel Rear Panel 1. This must be connected to a power outlet in order for MPC X to power on. Power Adapter Restraint: Secure the power adapter cable to this restraint to prevent it from accidentally unplugging.
Page 18 8. When activated, the pads will always trigger their samples at the maximum velocity , regardless of how much force you use. Press and hold Shift and then press this button to activate or deactivate the Half Level feature. When activated, the pads will always trigger their samples at half-velocity Page Rear Panel Rear Panel 13 13 13 1. Touchscreen Touch the touchscreen and use the hardware controls to control the MPC interface. See the later section to learn how to use some basic functions.
Page 22 9. If the file is a project, it will be loaded in its entirety you will be asked if you want to close your current project. Press Menu to enter the Menu, and then tap Grid View.
Press Tap repeatedly at the speed you want to record your sequence. Your MPC hardware will detect the rate and adjust itself automatically. The collection of drum samples you loaded earlier and their respective pad assignments are arranged into a program. When you load this program in the future, you will be able to use all of the samples that belong to it. Page 30 To enter a folder, double-tap it. In the Grid View, you can do any of the following: To zoom in or out, tap the magnifying-glass icon in the upper-right corner.
Press a pad to show its parameters on the screen. Page 34 The snare drum may need some reverb to give it a more spatial sound. Tap Effects at bottom of the screen to view the Insert Effects tab. Press the pad with your snare drum sound to select it.
To add an effect: 1. Adding a bass line over the drum part means we need to work on a new track. A track is simply a layer of a sequence.
Each track uses a program within your project. In Program Edit Mode, tap the Samples tab at the bottom of the screen to show the four layers of samples in the program.
Prepare your recording as described earlier, and record some bass notes. Page Recording An Audio Track 8. You should now see the level in the meter.
Just export it first. To export a song: 1. While in Song Mode, tap Export at the bottom of the screen. Alternatively, in some modes, you can tap the steps icon on the left edge of the screen. Tap Threshold, and then tap the Threshold field to the right of it. Alternatively, double-tap the Threshold field and use the numeric keypad on the screen.
We can also automatically create corresponding note events to play back these slices sequentially. Press and hold Shift and then tap Convert at the bottom of the screen to enter the Convert or Assign Slices window. Press Play to play the sequence. Page 45 You can also mute entire tracks by using the similar Track Mute function.
Page Sampling Recording Input 1,2. Page 47 In the Keep or Discard Sample window: To name the new sample, tap the Edit Name field and use the virtual keyboard to enter a name. To open the Process Sample window, tap Process at the bottom of the screen. Alternatively, tap Function or double-tap the Function field, and then tap the desired process.
When you are done recording, press Stop. This ensures your track uses the automation you just recorded when you play it back. MPC Touch already operates as a controller only. Page Operation Looper. The center cursor acts as an Enter key. In the list that appears examples below , tap the desired option. Page Buttons Buttons Buttons usually have two states: selected and deselected active or inactive, respectively.
Some may have more than two states. Checkboxes Checkboxes have two states: checked and unchecked enabled or disabled, respectively.
Page Envelopes Envelopes To set the stages of an envelope, do either of the following: Tip: Tap the expand-rectangle icon above the envelope to show a closeup view. Tap one to select its mode: Pencil: Draw Mode: To enter a note in an empty grid square, tap the grid square. To select a note, tap it. Tap one to select its mode: Marquee: Marquee Mode: To select a track region, tap the upper third of it.
To move a track region or multiple selected track regions , tap and drag the upper third of it left or right. Page Programs Plugin Programs for more information.
They are not available in Standalone Mode. Page Drum Programs To load a sample into a drum program: 1. Find and select a sample, and then tap Load to load it to the program. Page 61 Alternatively, assign samples in a drum program in Program Edit Mode in one of these two ways: 1.
Tap the Samples tab. This lets you view the samples assigned to all four layers of the current pad as well as tuning and level parameters for each layer. Page Keygroup Programs To assign samples in a keygroup program: 1. Tap Samples. This lets you view the samples assigned to all four layers of the current keygroup as well as tuning and level parameters for each layer. Each clip can be assigned to a pad, which you can press to trigger the clip according to a quantization setting.
This lets you create intriguing, layered performances by launching different combinations of clips together. Page 64 Alternatively, assign clips in a clip program this way: 1. Find and select a clip, and then tap Load to load it to the program. Repeat this for any other clips you want to load into the project.
Page Plugin Programs To adjust the volume and panning of a track using the plugin program: 1. Alternatively, press Ch. Mixer MPC X.
Double-tap the Mixer field in the upper-left corner, and then tap Midi Tracks. To create a CV program: 1. Press Main to enter Main Mode. Page Menu Menu The Menu lets you select any of the 21 modes or save your project.
Page Save To enter a folder, double-tap it. Some of the options described in this section may be available in only one of these modes or in a different order.
Page Project Defaults i. Page Bluetooth Collect Usage Statistics: This determines whether or not your usage statistics will be sent occasionally to us, enabling us to improve the MPC experience.
Page Wi-Fi Ableton Link, a new technology that synchronizes beat, phase and tempo of Ableton Live and Ableton Link-enabled applications over a wireless or wired network. The indicators in this window show current usage statistics: Battery: If you are using MPC Live powered by its internal battery, the first indicator shows the current battery life as a percentage. This indicates the current playhead position. To open the Locate screen and adjust its settings, double-tap the time counter. Page 78 You can use this screen to set time markers, allowing you to jump automatically to precise locations in a sequence.
You can set up to six time markers. To set a time marker, tap the time counter at the top of the screen, find the desired time, and then tap Set next to the desired time marker. You can quantize note events on MIDI tracks or track regions on audio tracks though you cannot apply all types of quantization to audio tracks.
Page 80 Use the Time Division selector to set the quantization value. The T indicates a triplet-based value. Alternatively, press and hold Note Repeat while in Main Mode, and then use the six buttons at the bottom of the screen. Page Automation In the Channel Mixer, if you do not see a program automation button in the channel strip, make sure the Mixer field is set to Audio Tracks or Programs.
If you have already recorded or entered automation, tapping this will switch between Read R and Write W only, but you can override this and turn it off by pressing and holding Shift while pressing or tapping the button.
When first activated, the selected pad Pad A01 by default will be temporarily copied to all 16 pads. The pads will now output the same note number as the initial pad, but a selectable parameter will be fixed at values that increase as the pad numbers increase e.
Page Erase Erase The Erase function erases all or part of a track in a specific sequence. To open the Erase window, press the Erase button. Alternatively, while in Main Mode, tap the pencil icon on the right edge of the section, and then tap Erase in the screen that appears. To select the sequence you want to erase, use the Sequence field. This chapter can help you get a good overall understanding of how the effects work.
Page 86 Type or Manufacturer in the lower-left corner. To load an effect, double-tap it. To cancel, tap Close or anywhere outside the list. Tip: When using pad insert effects, they will be applied to the selected pad only. This means that you could apply unique combinations of effects to each pad within a program.
Page 88 To load a pad insert effect in the Pad Mixer: 1. Use the Program field at the top of the screen to select the desired program. Alternatively, use the Track field at the top of the screen to select the desired track—the program it uses will be selected automatically. Page Keygroups Keygroups You can load up to four insert effects to each keygroup. Important: When using keygroup insert effects, they will be applied to that keygroup only. Keep this in mind if you load insert effects to multiple keygroups with overlapping note ranges—the effects will overlap in that range as well.
Page 90 To load a keygroup insert effect in the Pad Mixer: 1. You can do this in Main Mode and the Channel Mixer. To load an audio track insert effect in Main Mode: 1. When the Audio tab is selected in the lower-left corner , use the Track field to select the audio track. Page Programs Programs You can load up to four insert effects to each program. In fact, XYFX is the name of the insert effect that is loaded when use this mode.
Page Submixes Submixes You can load up to four insert effects to each submix. You can do this in the Channel Mixer only. To load a submix insert effect: 1. You can do this in Main Mode or the Channel Mixer. To load a master insert effect in Main Mode: 1. A pad, keygroup, audio track, program, or submix sends its audio to a return at a designated send level. That audio is processed by the effects on the return. Each return can have up to four insert effects loaded and activated. To set the send levels for a pad in Program Edit Mode: 1.
While editing the desired program in Program Edit Mode, press the desired pad to select it. To set the send levels for a keygroup in Program Edit Mode: 1. While using the desired program, press the desired pad to select its keygroup. Alternatively, use the Keygroup field at the top of the screen. To set the send levels for an audio track: 1.
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Driver and software update installers are available for download from each product page. Be sure to install the latest updates for your product if applicable. This company was family owned.
Its rapid development, as well as the majority of other Japanese firms, falls on But the defeat of Japan in the war could not but affect the situation of business. The accounts of many enterprises were frozen. Mazukichi Akai fell into a deep depression and lost all interest in running the company. The enterprise was revived by his son Saburo Akai. He was able to persuade the country's largest bank Mitsubishi to unlock his account.
Mazukichi Akai became the director of the new company, and his son was promoted to executive director. The young company has faced many difficulties.
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